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Up Jumped the Devil: The Real Life of Robert Johnson by Bruce Conforth
My rating: 4 of 5 stars
Up Jumped the Devil: The Real Life of Robert Johnson by Bruce Conforth is a 2019 Chicago Review Press publication.
Finally! A worthy biography of blues great Robert Johnson!
Even if you are not familiar with Robert Johnson, you have most likely heard his music, which has been covered by countless other Bluesmen and rock stars- most famously perhaps is Cream’s version of "Crossroads Blues", featuring Eric Clapton.
If you are familiar with Johnson, then you are probably aware of the aura of mystery and myth surrounding his life and his music. Legend has it that Johnson made a deal with the devil at the Mississippi crossroads in exchange for his extraordinary talent as a blues guitarist. What fueled this speculation was that Johnson appeared to have achieved virtuoso status in a very short span of time.
Although many were hearing Johnson’s songs, through other artists, and most assuredly his influence on music, for decades, it wasn’t until the early 1990s, when a box set of his music was released, containing all of his previous recordings, that he began to gain wide, commercial recognition.
The legends and myths surrounding Johnson and his alleged pact with the devil seemed to have been packaged right along with his Grammy winning box set, taking on a life of its own.
Suddenly people were wildly curious about Robert Johnson, whose apparently dubious and painful death at the age of twenty-seven, added even more mystique to his legacy.
There have been books written and documentaries made about Robert Johnson. One documentary - Can't You Hear the Wind Howl- The Life and Music of Robert Johnson- is one I can vouch for- although is was made many years back. There is another one on Netflix, Devil at the Crossroads, but I haven't seen it yet and can't speak to its quality or accuracy.
When it comes to the various books written about him, the ones I have read have been underwhelming- until now.
This book puts most things about Johnson's life into a proper perspective, dispelling a few myths along the way. Although the organization wasn’t as tight as I would have liked, for once, I came away with a descent portrait of Robert Johnson, both personally and musically. I'm not sure how I feel about him personally- specifically his womanizing and blaspheming of God- but musically, one can't discount his long lasting influence.
Overall, if you are interested in learning more about Robert Johnson, this is the book you want to invest in.
*I listened to this book on Hoopla. The narration is very good- highly recommend!
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